About RWI Creative · Founded 2020

Great films shouldn't
be invisible.

An online design studio for the film and TV industry — key art posters, trailers, pitch decks, pack shots, made by a team who have spent a combined 20+ years in the entertainment industry.

RachelFounder

Why RWI exists

A note from our founder

I founded RWI Creative in 2020 after collaborating with numerous filmmakers and recognising the crucial role that film and TV posters, along with marketing materials, play in capturing audience attention. I discovered that many filmmakers were priced out of the market for high-end, commercial posters due to budget constraints.

I believe that all filmmakers — whether studio, independent or student — deserve access to industry-standard designs and marketing materials.

Over the years, we've developed packages tailored to filmmakers at every level, giving them the tools they need to sell and market their films and TV shows effectively.

It's incredibly rewarding to see our posters featured on platforms such as Netflix, Sky, Amazon and Universal, and for Oscar submissions. My goal is to equip as many filmmakers as possible with the right marketing tools to help their stories reach the audiences they deserve.

Rachel · Founder, RWI Creative

Our work has appeared onIncluding titles submitted for Oscar consideration.
See the portfolio →

NETFLIXamazonUNIVERSALskyBBCITV

The studio

Cinematic design,
bought online

At RWI Creative we bring stories to life through bold, cinematic design. With over 20 years combined experience in the film and television industry, our team understands the unique rhythm of entertainment — from indie productions to global releases.

We collaborate closely with producers, distributors and marketing teams to create artwork that's on-brand, on-message and ready for the global market. Every poster and every visual is made to leave a lasting impression — unforgettable, cinematic and unmistakably yours.

Key art postersPortrait, quad and social sets for film, TV and documentary.

TrailersCut, graded and sound-designed for shorts and features.

Pitch decksIndustry-standard decks to promote, fund or sell a project.

Pack shotsSleeve and platform artwork ready for distribution.

How we work

What you can count on

Fast, effective online design — the reason filmmakers come back to us with their next title.

Priced for real budgets

Fixed package prices published up front, so independent and student filmmakers can plan around them. 50% books the work, the balance is due only on approval.

Looked after by real people

Emma manages the account executive team — a person who knows your title and your deadline, not a ticket queue. She briefs the designer creating your poster or the editor cutting your trailer, and keeps your feedback moving between you.

Built for the deadline

Festival cut-offs, sales markets and delivery dates drive this industry. Your delivery date is confirmed on day one — we have turned a poster around in 48 hours.

The people

Who you'll be working with

The same highly experienced heads of departments make your work from your initial booking through to the delivery of your final files, coordinated by your own account executive.

RachelFounderBusy behind the scenes, Rachel works to keep all RWI services competitively priced without ever compromising on the high-end quality whilst running the company. She’s passionate about film and TV, and loves helping filmmakers bring their projects to life with industry-standard marketing material and services.Outside of work, you'll find her walking her dog through the countryside, being mummy, throwing weights around at her local CrossFit club, or getting lost in art and painting.

EmmaAccount Executive · Head of Business OperationsYour first point of contact and manages our account exec team. Emma keeps briefs, feedback, and deadlines moving so nothing sits waiting in an inbox. She loves business and making sure clients feel genuinely well looked after, keeping organisation and deliverables front and centre at every stage with RWI Clients and our team.Outside of work, she enjoys hiking, reading, films, and music, as well as spending time with animals — especially her beautiful rescue dog, Hendrix — and travelling whenever she can.

AdamHead of Poster and Key Art · Head of Deck DesignHe manages RWI's design team ensuring all high end quality remains as industry standard. He also still personally designs the key art on a variety of poster packages, from the first mock sheet through to print-ready files. He also heads up and manages the decks and brochures designed to raise funds and grab attention — whether for development, pitching to investors, distributors, or beyond.Outside of work, Adam loves getting out into nature, exploring the world, reading, and has a wonderful hobby in miniature painting.

EugenioHead of Editing StudioHe heads up our full editing department, ensuring every client receives exceptional trailers. He cuts every trailer — shorts, features, documentaries, and series — with RWI covering it all, including sound design.Eugenio is an enthusiastic traveller, always seeking out each city's food scene and the best cocktail in town. In his free time, he's a Leica ambassador landscape photographer and a jiu-jitsu practitioner.

IhorHead of TechnicalHe builds and runs the technology behind the studio — the site, the checkout, and the systems your project moves through. As RWI's Technical Wizard, he also leads our website design and development team, offering services specially tailored for the TV and film industry.Outside of work, Ihor trains in MMA and calisthenics, spends weekends cycling and travelling to new places, and is usually chasing his latest startup idea, testing it against reality as fast as he can.

VladyslavHead of DeliveryVlad leads RWI's website service, taking clients from first brief through to a live site. He manages the development team behind every build, shapes how each site is structured to actually convert visitors, and makes sure projects land on time and to the standard the rest of RWI works to. Whether it's a simple film site or something more involved, he handles the process end to end so clients never have to think about the technical side.Outside of work, you'll find him surfing, training calisthenics, or hiking up a volcano somewhere at night.

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Great films shouldn't
be invisible.

A note from our founder

Cinematic design,
bought online